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Kelli Storm, Desolate: Mia is a witch in a world concealed from but intertwined with mundanes; her ADHD makes her powers unpredictable. When things are going badly for her at high school, she accidentally sends herself back in time, which creates further problems both magical and romantic. This was too YA-ish for me, but I think it could work for an actual teenager who would empathize more with the emotional stakes.

Patricia Lockwood, Will There Ever Be Another You: A memoir-ish thing about surviving covid with a brain injury, dealing with a husband’s illness, and trying to write a TV show based on her previous book Priestdaddy. It conveys the hallucinatory disjointedness of brain fog, but for that reason was mostly inaccessible to me.

KJ Charles, All of Us Murderers: In 1905, the reclusive heir to the family fortune calls his potential heirs to him, offering everything to whoever marries his young ward. One of the heirs has ADHD and thus has found it difficult to keep a job, especially after being discovered in flagrante with his lover—who turns out to be the heir’s personal secretary. Everyone else in the family is a nasty piece of work, and then strange things start happening in the gothic pile in which they are trapped by mists. It’s fast-moving and very (gayly) gothic.

Caitlin Rozakis, The Grimoire Grammar School Parent Teacher Association: After her five-year-old daughter is attacked and turned into a werewolf—a severe breach of werewolf law—the protagonist, her daughter, and her husband move to a tony Connecticut suburb full of magical creatures, where her daughter may be able to get an education among people who understand her. But the new school is full of traps—high-stakes testing, Mean Girl moms, financial shenanigans, and a pesky prophecy that might involve her baby girl. I liked the fact that the issues were driven not so much by magic but by people trying to game the system (as rich Connecticut denizens are known to do).

T. Kingfisher, What Stalks the Deep: Another short Alex Easton novel, this time set in America, where a strange sighting in an abandoned mine heralds something very creepy indeed. Avoid if “gelatinous” is a no-no for you.

Deborah Tomkins, Aerth: Novella about an underpopulated, cooling world that discovers Urth, on the other side of the sun, which has similar languages and human beings but is hot and overpopulated. The noninterventionist, consensus-based culture of Aerth seems healthier than the headlong rush to authoritarianism of Urth, but that doesn’t stop its inhabitants from feeling choked by their obligations, and there might be a few secrets in its past too, though Tomkins isn’t very interested in that except as background. It wasn’t for me.

The End of the World As We Know It, ed. Christopher Golden & Brian Keene: A collection of stories set in the world of Stephen King’s The Stand. (They all seem to have agreed to go with the date of 1992 for the plague instead of the initial 1982; there are therefore fewer anomalies/more actual engagement with the world in 1992 than in the revised version of The Stand, though I did note a character who was not online using “FAQ,” for an anachronism in the other direction.) Most of the stories are set during the collapse and therefore don’t add a lot, and more of the stories than I’d hoped are set in the US. There’s one story set in Pakistan that is quite interesting—this is all Christian nonsense to them—and one UK story that really gets the vibe right.

Naomi Novik, The Summer War: Novella about a girl—daughter of an ambitious lord—who accidentally curses her brother when he leaves her behind after renouncing his family because of his father’s homophobia. In her attempt to fix the curse, she allies with her remaining brother and tries to navigate a political marriage, but otherworld politics complicate matters. It’s a pleasant variation on Novik’s core themes: Epic people can be very hard to live with; power must be used to serve others or it is bad; loving other people is the only thing that can save us.

T. Kingfisher, Hemlock and Silver: A king seeks out an expert on poisons to treat his daughter, Snow, who is mourning the deaths of her mother and sister Rose and keeps getting sicker. There are apples and mirrors and magic in the desert, as well as a little romance among the very practical people. It’s nice that the healer was a scientist even dealing with magic, and the imagery is genuinely creepy at times.

Melissa Caruso, The Defiant Heir: Second in a trilogy. Amalia, heir to an Italianate ruling family, continues to fight against the planned invasion of her empire by the neighboring mages. I could wish for a bit more Brandon Sanderson-style working out of the magic system, but it was still a fun read.

Freya Marske, Sword Crossed: Luca, a con man on the run, becomes the sword tutor of Matti, heir to a noble house. (This is romantasy without magic—just nonheterosexist family structures and different gods than were historically in place.) Their connection is problematic because Matti needs to get married to save his house, and he hired/blackmailed Luca into being his “second” in the expected challenge by a disappointed suitor. So falling in love with Luca is really inconvenient. Marske’s best work is handling the arranged marriage—they like each other fine and Matti’s intended has rejected the suitor who won’t take no for an answer. But I wanted magic! If you are fine without it, then this is probably more enjoyable.

Will Greatwich, House of the Rain King: Really interesting, unusual single-volume fantasy. In the valley, when the Rain King returns, the water rises until a princess comes from the birds to marry him (and die), and then they recede. A priest, an indentured servant, and a company of foreign mercenaries all get caught up in the struggle to make the Rain King’s wedding happen. There are also undead guarding treasure as well as fairies and marsh-men, who have their own roles to play.

Nghi Vo, The City in Glass: Short novel about a demon whose city is destroyed by angels; her parting curse sticks with one angel, who keeps hanging around as she slowly decides whether and how to build/love again. Dreamy and evocative.